During his membership he met Van Deren Coke, who would influence Meatyards work greatly. He also attended several workshops during the mid 50's run by Minor White and Henry Holmes Smith. This led to extremely experimental works he would create in his darkroom at his home. He died in 1972.
His work was shown in numerous galleries and publications and was regarded as some of the most original and disturbing work to be made with a camera at the time.
Meatyard's work consists of various juxtapositions of old and young bodies as well as grim/gloomy representations of the south and midwest. His images portray eerie yet beautiful narratives regarding human interaction through time as well as identity as it relates to physical form.


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